A worker hangs from Thomas Jefferson’s eye during the carving of Mount Rushmore, 1936.
1932 photo, Gutzon Borglum and supt. inspecting work on face [nose] of Washington, Mt. Rushmore, S.D.
The American Consulate in Florence is part of the United States Mission to Italy and is located at Lungarno Vespucci 38, in the former Palazzo Calcagnini (built 1876-77). This palazzo was purchased in 1949 by the American government, to serve as the site of the Consulate General.
Long before the United States acquired the palazzo however, its presence was already in Tuscany. The first American consulate to the Grand Duchy of Tuscany was established in Livorno (then known in English as Leghorn), with consular agent Phillip Felicchi being appointed on 29 May 1794.
For some reason, Tuscany would not recognize any consulates posted in Florence, so the first U.S. Consular Agent to serve Florence was Vice Consular Agent James Ombrosi, who was under mandate from the U.S. Consulate at Leghorn (Livorno). Ombrosi was accredited on May 15, 1819.
In the years after the U.S. Civil War and the transition of the capital of the Kingdom of Italy from Florence to Rome, the U.S. Consul General was James Lorimer Graham. Graham was a New York banker and art collector; he and his wife Josephine lived in a building that is now known the Palazzo dei Congressi.
In the early 1870s, Florence was suffering the grave economic consequences of the sudden transfer of the capital, a move that left the city deeply in debt and had bankrupted many investors when boom turned to bust in “Firenze Capitale.”
Resulting higher taxes and slower growth led to widespread poverty. Mrs. Graham was a committed philanthropist back in New York, and so responded to this situation in a way familiar to her. She rallied members of the “American Colony” and started selling mistletoe baskets and Christmas trees to raise funds for the poor.
Then there was the more fraught holiday season of December of 1944. Though Florence had been liberated by the Allied Forces in August of that year, there was little rejoicing along the Gothic Line—the German defensive line that stretched from Carrara to Pesaro—as fighting raged and civilian and combatant casualties mounted.
In the early morning hours of a bitterly cold December 26, Axis forces launched a counter-offensive in the Garfagnana region of Lucca province, focused on and around the town of Barga.
The first target was the hilltop village of Sommocolonia, garrisoned by several hundred African-American “Buffalo Soldiers” and a handful of local partigiani.
During the fighting, German forces drove the Allied troops back. To avoid a complete rout, Army Lieutenant John R. Fox remained in his position in the Sommocolonia bell tower, calling in artillery strikes on the town and finally on his own position in order to slow the Axis advance. For Fox’s bravery and self-sacrifice, he was posthumously awarded the U.S.’s highest military honor, the Medal of Honor.
Today the American International League of Florence (AILO), organizes annual events to collect thousands of euro each year that are then donated to local charitable organizations.
Incidentally, the United States also has 5 other representations in Italy: American Consulate in Palermo; American Consulate in Naples; American Consulate in Milan;
American Consulate in Genoa; and the American Embassy in Rome.
The American Consulate in Florence represents one of 402 foreign consular and diplomatic representations from around the world in Italy.
2019 marks 200 years of American presence in Florence
Do you have personal experiences or stories that were passed on to you about historic events that occurred in Tuscany, Emilia Romagna or the Republic of San Marino? Were you a Mud Angel? Did you have relatives who worked with the American Red Cross during World War I or witnessed the 5th Army’s fight along the Gothic Line in World War II? Are you doing something now that is strengthening the U.S.-Italy partnership? If so, the U.S. Consulate General in Florence would love to hear from you!
The Florence American consulate is collecting stories in anticipation of the bicentennial of its diplomatic presence in Florence in 2019.
Throughout that year, we hope to see a series of events across Tuscany, Emilia-Romagna and the Republic of San Marino exploring all facets of our past, present, and future together.
These commemorative events and related information will be highlighted on the Consulate’s social media platforms with the #Insieme200 (#Together200) hashtag.
Our 200 years here are built on a foundation of millions of personal and organizational ties, so we need your help to properly celebrate our bicentennial!
If your organization has an idea for a 200th anniversary commemorative event—large or small—or wants to get involved with the events being organized by the Consulate, please let us know:CGFIProtocol@state.gov.
To receive updates on the Consulate’s 200th anniversary and more, join the Consulate’s community by liking its Facebook page @USCGFlorence or following on Twitter!
In 1976 Brian de Palma released Obsession, which was filmed in New Orleans and Florence.
Come for the settings. Stay for the weird, melodramatic story. It’s vale la pena: well worth it.
A few years ago it was announced that the Corcoran Gallery of Art, Washington’s oldest private art museum, and its venerable college of art and design would cease to exist as an independent institution, and its components — artwork, historic building and school program — will be taken over by the National Gallery of Art and George Washington University.
John Fulton Folinsbee’s “Grey Thaw,” one of the works in the Corcoran’s collection. (Corcoran Gallery of Art’s board of trustees )
This week it was announced that the Corcoran’s board of trustees has decided that it will distribute almost 11,000 works remaining in its renowned collection, a historic giveaway that includes paintings by Washington Color School artist Sam Gilliam, photographs by Ansel Adams and Dorothea Lange, and prints by 19th-century French master Honoré Daumier.
Almost 9,000 pieces will go to the American University Museum at the Katzen Arts Center, with others headed to 10 Smithsonian Institution museums, several universities and the U.S. Supreme Court.
The distribution marks the final stage of the dismantling of the famed Washington institution. Under a controversial 2014 deal, the National Gallery of Art had first dibs on the entire collection and ended up acquiring about 40 percent of the 19,493 works. George Washington University gained control of the museum’s independent school and its two historic buildings, including the Flagg Building on 17th Street NW.
For more, please see these sources:
Before Charles Eliot Norton had become Harvard’s first professor of that discipline, art history had, in general, been considered, not a field of study, but a matter of craft and technique to be taught by painters to other painters.
Scholarship about art, and especially about Italian art, entered a new era as the German universities began developing large-scale historical studies like those of Swiss scholar Jacob Burckhardt, whose Civilization of the Renaissance in Italy was published in English in 1878.
In Great Britain, tastes were influenced by the work of Norton’s close friend Ruskin in books like The Stones of Venice (1851–1853) and The Seven Lamps of Architecture (1849).
Following Ruskin, Norton loved best in Italy the powerful moral uplift of Dante and of Italy’s medieval Gothic architecture. In Norton’s art history courses, the Renaissance was the unhappy termination of the Middle Ages, which had been the last great era of spiritual unity and well-being.
There was a joke current among Harvard undergraduates that Norton had died and was just being admitted to Heaven, but at his first glimpse staggered backward exclaiming, “Oh! Oh! Oh! So Overdone! So garish! So Renaissance!”
“Norton,” Bernard Berenson commented drily years later, had done what he could at Harvard to restrain “all efforts toward art itself.”
Rachel,Cohen. Bernard Berenson (Jewish Lives) (p. 45). Yale University Press. Kindle Edition.