Busatti, it’s got what it takes

There’s a revered business association in Italy called the UISI, or the Unione Imprese Storiche Italiane, which in English means: the association of Italian Historical Businesses.

In order to become a member of this august group, a company must have been in business for over 150 years and owned by the same family that started the business originally.  This association was begun in Florence and only includes as members businesses that represent the great tradition and history for which Italy is known.

I only recently learned of this association when I visited a great textile store in the Oltrarno section of Florence.  There are no signs announcing this shop; you must be in the know to find it.

It isn’t hidden, au contraire, it is located smack dab between a very famous little artistic studio of the street artist, Clet, and the ancient church of San Nicola.

Check it out online and visit it if you are in the market for some fine Italian textiles: towels, sheets, draperies, and some ceramics.

 

 

Busatti, fine Italian textiles

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What does it take to become a member of the Italian Historical Businesses Union? (the UISI in Italian: Unione Imprese Storiche Italiane)?  This art association was begun in Florence and allows as members only companies that make items of great Italian tradition and excellence and have been owned by the same family for more than 150 years.

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The Busatti company, producers of fine Italian textiles, is a proud member.

I recently visited the Busatti showroom in the Oltrarno section of Florence.  I’d been hunting for some of the beautiful cotton towels known as nido d’api (bee’s nest) in Italian, or waffle weave in English.  This fine company had the towels I was hunting, in a beautiful array of hues.  I chose the color I call “French blue, ” even though these are obviously Italian made!

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Since 1842 the Busatti family has been weaving textiles in the cellars of the Palazzo Morgalanti in Anghiari, a Tuscan village.  The company can actually trace it’s ancestry further back than that: they had the first machines in Italy that could card wool in the late 18th century. When Napoleon invaded, his troops started producing uniforms for the Grande Armee in Anghiari.  To dye them the blue they wanted, they restarted cultivating a flower known in Italian as guado.  This is “woad” in English, a yellow-flowered European plant of the cabbage family. It was once widely grown, especially in Britain, as a source of blue dye, which was extracted from the leaves after they had been dried, powdered, and fermented.

In 1842 Busatti established itself as a producer of fine cotton textiles, using steam-powered machinery.  In the 1930s, the electric versions of the same looms were first utilized.  It was in the 1930s that the company acquired its current structure and look.

Busatti is still synonymous with quality and tradition, but also of innovation.  They can customize any of their production of tablecloths, draperies and toweling, and can make use of their exclusive embroideries when desired.

The Busatti business can trace its unique history starting with the Grand Duchy of Tuscany (Gran Ducato di Toscana), the contribution to Italian unification with a Garibaldi family member, through 2 World Wars and many economic crises. Fortunately, the company just keeps chugging along in Anghiari. As you wind through wooded hills to visit the ancient, walled town, it seems that nothing has changed there for hundreds of years. The illusion persists in the vaulted 16th-century showrooms of Busatti (www.busatti.com), where linens are still woven on 19th- and early-20th-century looms.

Clients include Miuccia Prada and Valentino, who order made-to-measure table sets in linen and cotton and me, who chooses ready-made, but still gorgeous, towel sets.

 

Palazzo Davanzati and Elia Volpi

One of my favorite places in Florence is the Palazzo Davanzati. One look at one of the rooms in the palazzo will show you why I love it.  I visited it on my very first trip to Florence, almost 40 years ago.  It hasn’t changed one bit, except maybe it is even better now with more didactic info available.

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We have the art dealer, Elia Volpi (1858–1938), to thank for having saved the Palazzo as it appears today.  In Florence, Volpi is known as the “father” of the Museum of the Old Florentine House in Palazzo Davanzati, as he was responsible for restoring the building and turning it into a private museum in 1910.

 

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Now the museum, on via Porta Rossa, is opening its “Homage to Elia Volpi the Painter” exhibition, which offers the chance to discover a lesser-known side of the illustrious collector and antiquarian, that is, to see him as an artist.

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Volpi trained at Florence’s Academy of Fine Arts. The current exhibition focuses on his training and the paintings he produced from the 1870s through the 1890s, with examples of his sketches and finished paintings, mostly in pristine condition.  All of these works have been donated to the museum from private collections.

Volpi’s sketches are testament to his studies of the Italian Renaissance masters and, along with the male nudes, show off the early artistic skills of a young Volpi.

The paintings demonstrate his broad range; during the 1880s he explored church scenes before concentrating on the subjects and style of the Macchiaioli and more contemporary artists such as Francesco Gioli and Niccolò Cannicci.

 

The show also includes a multimedia section featuring a video that focuses on the artist’s personal life and a touch-screen panel with photographs that demonstrate the creation of the museum.

 

The exhibition is open from May 6 to August 5 in the Palazzo Davanzati Museum.

 

The source of this info comes from:

http://www.theflorentine.net/art-culture/2018/05/elia-volpi-exhibition-palazzo-davanzati/

Doris Day and Edith Head, and oh yeah, Alred Hitchcock and Jimmie Stewart

These principals all came together in The Man Who Knew Too Much.

They created movie magic at its finest.  Time travel back to 1956. American surgeon, Dr. McKenna (Jimmie Stewart) takes his wife (Doris Day) and young son to visit Morocco, for he had been there, serving in North Africa during WWII.  They literally stumble into all kinds of espionage and trouble in Marrakesh, and their son is kidnapped in the process.

Alfred Hitchcock directed this classic film and Edith Head made this sketch of a beautiful suit for Doris Day to wear in the critical parts of the movie.

 

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The suit seen above, without the stole, was realized in gray silk and Miss Day wears the suit throughout the second half of the film, during which she is seen in Albert Hall in London, as well as in the Embassy of some unspecified but critical country.  Her kidnapped son had been taken to London and she and Mr. Stewart are there to find him.

I loved the movie and highly recommend it.  Here are the lead actors and the director:

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And here is the poster advertising the film.

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