If you like Florence and you like gardens, then this film might be worth hour of your time to learn about this venerable gardening society in Firenze.
There’s a place in Verona that thrills my soul. You guessed it, it’s a garden. Until last week (December 2018) I had never even heard of this amazing place! Italia never ceases to amaze!
Here’s an amuse bouche:
This magnificent Italian garden, designed and created in the 16th century, belonged to the Giusti family. It contains age-old trees, gargoyles, fountains, grottoes (which echo strangely) and ancient inscriptions all immersed in a carefully landscaped setting which take advantage of the various levels of the terrain.
The garden was visited by famous tourists such as Goethe and Mozart.
The Giusti Palace in Verona, a Mannerist design, was also built in the 16th century.
The garden is considered one of the finest examples of Italian garden design. The gardens were planted in 1580 and are regarded as some of the most beautiful Renaissance gardens in Europe, a splendid park of terraces climbing upon the hill.
They include a parterre and hedge maze, and expansive vistas of the surrounding landscape from the terrace gardens.
First, only two square parterres right and left hand of the cypress way were designed, and a maze behind the right one, as figured in Nürnbergische Hesperides in 1714.
Some years later, four additional flower parterres were laid out left hand, as to be seen at a map in the Verona State Archives. The booklet, Il paradiso de’ Fiori by Francesco Pona (1622) informs about the plants used in this time in Giardino Giusti as does also some planting sketches by Pona included in the new edition of this book, Milano 2006.
The actual unifying layout of the garden parterres dates from early 20th century. The maze was reconstructed after 1945.
The Giusti family, owner of the palace since the 16th century, was entitled by the Austro-Hungarian Emperor to change its original surname to “Giusti del Giardino” because of the importance of the gardens.
Address: Via Giardino Giusti, 2 – 37121 Verona.
Opening hours: every day: Summer (April-September) 9.00-20.00 – Winter (October-March): 9.00-19.00
Here’s a view of Verona from the Belvedere at the top of Giardino Giusti:
I love acanthus plants. The ancient Greeks used the shape of the leaves in the design of their capitals on their monumental columns. That’s why I like them. :-)
A 16th century Renaissance garden and palazzo, described as the “Jewel of Verona”, has been put up for sale after years of squabbling among the aristocratic family who own it.
The Giardino Giusti, which is on the market for €15m (£10.3m), could now become a luxury hotel or a casino – a prospect that has dismayed many of its admirers.
It attracts tourists from all over the world. Its many illustrious visitors of the past include Mozart, Cosimo de’ Medici and Goethe, who wrote about its magnificent cypress avenue during his travels in Italy in 1786. The avenue leads up to a stalactite grotto, above which is a gargoyle which appears to be emitting flames from its mouth. From there, visitors climb up to a belvedere offering a panoramic view of Verona.
The English writer Sir George Sitwell proclaimed it one of the three best gardens in Italy.
However, the property has been at the centre of a family feud since its owner, Justo Giusti, an Italian diplomat, died several years ago. Under Italian inheritance laws, it was to be shared among 20 heirs.
One relative, Marina Giusti, disputed the terms of the will and floated the idea of splitting up the property, causing conflict between her and her mother, Contessa Matilde, and other family members. The issue went before the courts in 1997 and, after years of hearings, a ruling was made that the property could not be divided because of its historical importance.
The family were told they should try to “remain united” and work together to keep the place intact. Since then, the Giardino Giusti has become a tourist attraction and is rented out for weddings and special events. But family members now say they can no longer afford its upkeep.
The Giardino Giusti was designed in 1570 by Agostino Giusti, a Venetian knight and squire of the grand duchy of Tuscany. He created the gardens on a series of levels and they remain true to his original designs today.
Some are in an Italianate style, with manicured hedges, fountains and marble statues, while other parts have been left as natural woodland. The mix of formal and informal gardens is said to give the place a fairytale feel.
The gardens were badly damaged during the second world war, but have been restored.
News of the sale has upset many of the people who have included the property on their Verona itinerary. “Please don’t sell it,” implores one entry in the visitors’ book. “I wish it were mine,” says another.
The newspaper Corriere della Sera commented that the property, which has been designated a national monument, was not only “the jewel of a noble and historic Veronese family, but of all of Italy”. It demanded to know: “In whose hands will it end up?”
Giorgio Vigano, a Milanese agent handling the sale, said he believed that the property would attract international investors.
“It is a very special place,” he said.
Giardino Giusti Verona
Kate Wickers | Monday, May 7, 2012 – 13:53
5 Google +2 10 5
Venture over the Ponte Romano to the eastern bank of Verona’s river Adige and you will find yourself in an oasis of peace and calm. Hidden behind the crumbling orange façade of Via Giardino is one of Italy’s most attractive Renaissance gardens and best-kept secret – Giardino Giusti. A garden of such tranquillity that in an instant you are taken from a dusty Italian street full of irate drivers honking their horns and transported into a world of Renaissance refinement. And you’ll know immediately what the English traveller Thomas Coryate meant when in 1611 he described this garden as a “second paradise”.
Agostino Giusti was a Knight of the Venetian Republic and Squire of the Grand Duke of Tuscany and the man responsible for the design of this lovely garden, which served as a backdrop for his palace. Laid out in 1570 with all the quintessential Italian charm of that period, with statuary and nature deliberately juxtaposed, it was lovingly restored in the 1930s and has most of its original features intact from fountains to mythological statues to a maze and an acoustic grotto. Not to mention an impressive collection of Roman remains.
Giardino Giusti – Verona
In the western section of the parterre (formal garden with flower beds and gravel paths), are greenhouses brimming with lemon and orange trees that are built against the surviving 12th century city walls. The warm air is full of zest with uplifting citrus smells and I breathed in deeply as I followed in the footsteps of illustrious past visitors, among them Cosimo De’ Medici, Emperor Joseph II, Goethe and Mozart. Today though (because thankfully the gardens are not on Verona’s tour bus itinerary), there’s hardly ever anyone there and I had the entire gardens to myself.
The terraces are ordered so that they gradually uncover the views of the city. The lower area of tightly clipped and perfectly manicured box hedges contrasts with the upper area of natural wilderness, which would have been perfect for a game of hide and seek between a Renaissance lady and her lover. The terrace is hidden by woodland, home to cuckoos and warblers, and has the atmosphere of secret trysts and whispered promises. It is undoubtedly a place reserved for romance and the secluded benches hidden amongst the foliage are obvious invitations for this. According to local folk law, lovers who manage to find each other in the tiny maze are destined to stay together forever.
It’s a joy to wander up the old stone steps of the cypress avenue, with the 16th century ‘mascherone’, the immense grotesque stone mask with bulging eyes, gnashing teeth and flaring nostrils, looking down on you. From here you can climb up to the stalactite grotto, an artificial cave carved in to the hillside with an arched entrance flagged by columns and pediment, giving it the appearance of a temple. This was originally covered with an intricate design of shells, mosaic and mother of pearl but little remains today.
Giardino Giusti – Verona
The final climb takes you to the belvedere (meaning beautiful view) where you are treated to one of the most stunning panoramic vistas of the city with the Lamberti Tower, the Basilica di Sant Anastasia and the Duomo all in sight.
Giardino Giusti is a place to unwind, reflect and linger away from all the hustle and bustle of life. A place you never hurry away from but always scurry back to.
What a lovely small city is Verona. I understand why Shakespeare chose it as his setting for Romeo and Juliet!
I had the good fortune to spend a few days in Verona recently and the city was all decked out for Christmas.
To begin, here is our home away from home, with a beautiful terrace next to the Adige River. A large persimmon (cachi in Italiano) tree attracted many local ucelli!
Here are some of my favorite pictures:
L’amore materno–Mother Love
I love a decorative octopus!
Check out the foot still attached to this prosciutto! OMG!
Verona’s magnificent Duomo below:
The bell tower:
The apron front of the facade reminded me of church architecture in Lucca.
The altar below is painted and has matching sculptures in front. I’d never seen anything like this before.
The altar below beckons from across the church. Such lavish gold, again, I’ve never seen anything quite like this and I’ve seen a lot of altars in my day. I love that Italy is always surprising me.
See what I mean below:
The ubiquitous December creche scene: the figure of the baby Jesus will not appear until midnight of the 25th.
I guess the placard below is for those sinners who don’t remember or know how to confess.
These pictures are from the interior of the duomo in Verona. It is a beautiful church. Verona was obviously a wealthy city during the Renaissance and after, as it still is today.
I’ve looked at a lot of paintings in my day, but I’ve never seen such a foreshortened putto flying in from this angle, to crown with laurel the knight in armor.
While this sculpted doorway below looks to be monumental, it was actually at my eye level on a wall in the duomo, and measured about 12 inches tall.
Back out in the lovely streets of Verona, I admired this art nouveau wrought iron in a window. It’s unusual for Italy and I love it.
Below is the gorgeous facade of the duomo.
There are Roman ruins on the hillsides in Verona. I took this picture to remind me of this new (to me) fact: I want to go back and see more of the town.
The facade below is getting some TLC.
Walking along on the sidewalk along a wall, there are death notices posted. I find these fascinating.
Flower shops are magnets to me:
I am obsessed with this crystal lamp with the red tassels. Obsessed.
Obsessed I tell you!
Finally, the end. A shout out to my girl, Jenny, for being an awesome traveling companion. More to come, I am sure!
Oh, and p.s., I have a few more Verona posts coming, including Giardino Giusti. Watch this space!
Oh, Villa Peyron! How lovely you are, sitting in your pretty setting high above Florence!
Situated in a beautiful position up in the hills around Fiesole, one can view both Florence and Castel di Poggio from the Villa.
The Villa Peyron is a large complex, with buildings, formal gardens, and the surrounding olive groves. The villa is located in the woods named Il Bosco di Fonte Lucente, named after a spring above the villa.
The spring is said to supply the water necessary to work the many fountains in the garden and park, although I will say that the fountains weren’t working when I was there recently. Even without the fountains, the gardens are beautiful.
It is likely that the villa itself was built on top of Etruscan ruins, traces of which can be seen in the underground chambers and in the immediate surroundings; there are, for example, antique stones in the walls found in the forests around the villa.
The garden is built on three terraces that slope southwards and has a wooded parterre parallel to the villa.
What we see today bears nothing harking back to the Etruscans, but of course the villa has been subjected to a series of renovations and transformations over many centuries.
In the late 19th century, the Florentine architect, Ugo Giovannozzi (1876-1957), gave the villa its current appearance, working for Peyron family members who envisioned a very grand villa.
There’s a lot of statuary placed throughout the villa grounds; these sculptures come from the Venetian villas of the Brenta. These prestigious works were installed to take the place of those which were destroyed during World War II.
In fact, a plaque is installed on a building near the entrance to the villa grounds, which speaks to the horrors of war. During WWII, the villa was requisitioned by the high German command. Later it was occupied by the Allies who also installed a military hospital there. (I can’t help thinking of the film, The English Patient.)
You might say that some of the minor horrors of war were even clearly imprinted on this villa. When Paolo Peyron returned to his home after the war, it was a very bittersweet homecoming: all the objects that Peyron had tried to save by hiding them in a room in the farmhouse were destroyed and scattered in the garden. Paintings and gilded frames were mockingly attached to olive trees; furniture was smashed; rare books, incunabula and prints of Piranesi, inherited from his father’s library, lay on the ground in the open, irremediably spoiled by the rain.
And now I will stop talking and simply place the photos of this beautiful locale on my post. Enjoy!
This gorgeous villa, open for visits, lies just beyond Fiesole. It’s an easy trip by Ataf bus (#7) from Florence to Fiesole, and catch a connecting bus #47. The #47 is unreliable (it has only 3 runs on Sundays, for example, and they are all in the morning). But you can do what I did, and take a taxi to the Villa from Fiesole.
I recently visited, on a lovely parcel of land just outside of beautiful Firenze, a once-magnificent villa known as Villa la Quiete. Located upon the Castello hill, at the foot of the Monte Morello, this villa is considered to be among the most important settings of its kind. It takes its name from a fresco by Giovanni da San Giovanni entitled, La Quiete, which dominates the winds (see below).
The Medici family particularly loved this area and owned some of its most beautiful residences, including the Villa di Careggi, Villa di Castello, and the Villa della Petraia. You can locate Villa la Quiete on these 2 Google Earth slides below and, in the last one, also locate the 3 Medici villas just mentioned.
This parcel of land has lots of history, naturally. In 1438 it was given by the Florentine Republic to the condottiere Niccola da Tolentino, for his military services. In 1453 the Medici acquired the land, and later Cosimo I passed it to the commander of the Order of Santo Stefano.
In 1627 the property was again acquired by a Medici, this time by Cristina di Lorena. She had the palazzo rebuilt, and had a suspended passage constructed (a small variant of the Vasari Corridor), connecting the villa to a nearby Camaldolese monastery. Cristina also commissioned the painting of la quiete che pacifica i venti, by Giovanni da San Giovanni in 1632.
Cristina’s name even appears in another fresco, by Giovanni da San Giovani. in which curious anagram masquerading as a hymn inscribed on a scroll supported by putti in flight.
The villa has, thereafter, been known as Villa la Quiete.
The complex was bequeathed to Cristina’s grandson, the Grand Duke Ferdinando II. Later on, in 1650, the villa was sold to Eleonora Ramirez de Montalvo, who dedicated it as a country retreat for a congregation she founded, the Montalves. At that time the villa was called Istituto della Quiete.
After Eleonora’s death, her friend the Grand Duchess Vittoria della Rovere administered the Institute, and sponsored the construction of the Montalve church, completed in 1688.
Anna Maria Luisa de’ Medici, the last descendant of the Medici family, resided in the villa between 1720 and 1730 and she furnished it with objects from the Palazzo Vecchio and Palazzo Pitti.
Anna Maria had the villa renovated and redecorated and she installed a beautiful grand garden, bringing water to it by a pipe to the nearby Fonte delle Lepricine.
The director of this new, vast garden was the botanist Sebastiano Rapi, who just happened to be the person in charge of the Giardino Boboli. Rapi, with the support of Anna Maria, brought the best botanical and fruit species from the various Medici villas.
Even today, the specimen magnolia trees they selected still grow in a courtyard connecting the garden to the palazzo.
The garden today remains one of the rare examples of an 18th-century garden, with no changes in the plantings, other than refreshing them. You can see the layout of the formal, rectangular gardens, lined with pots of lemon trees, in the Google slide:
The secular order of Montalve, dedicated to the education of girls of good family, only had to abandon their church of San Jacopo di Ripoli in 1886, and they brought their numerous furnishings and works of art with them to the Villa la Quiete.
It was only in 1937 that the order became religious. The villa complex remained for a long time the seat of the education institute, ending only in 1992. The last pupil graduated in 2001.
In February 1992 the villa, together with the entire real estate of the Conservatory of the Montalve alla Quiete, passed University of Florence. A small part of the villa has been used by the University for the Center for Culture for Foreigners and Polo offices.
It is possible to visit the villa, as I did, only by appointment and in the months of July and August on Tuesday and Thursday evenings. To arrange a visit, contact the Ufficio Servizi Didattico Divulgativi, Sistema Museale D’Ateneo, tel 055-2756444 or by email to email@example.com.
In a few days I will be writing a post about the artworks located in the villa.